Printing on Different Surfaces: Paper, Wood, and More

As a printmaker, experimenting with different surfaces can take your art to a whole new level. While paper remains the traditional medium for linocut printing, expanding your practice to include wood, fabric, and other materials can open up exciting possibilities. At Gilfalo Art Design, we believe that understanding the nuances of each surface is key to achieving the best results. This guide explores various printing surfaces, their benefits, and the best techniques to use for successful prints.

Understanding Surface Compatibility with Ink

When selecting a surface for your linocut prints, it’s essential to consider ink absorption, texture, and durability. Each material interacts differently with ink, requiring adjustments to your technique, pressure, and drying time.

Printing on Paper

Paper is the most commonly used surface for linocut printing due to its ease of use, versatility, and ability to capture fine details. Choosing the right paper depends on factors such as thickness, texture, and absorbency.

1. Best Papers for Linocut Printing

• Printmaking Papers: High-quality papers like Rives BFK, Stonehenge, and Fabriano Rosaspina provide excellent ink hold and durability.

• Japanese Washi Paper: Thin yet strong, washi paper absorbs ink beautifully, making it ideal for intricate prints.

• Recycled Paper: Sustainable options add texture and character to prints while supporting eco-friendly practices.

2. Techniques for Printing on Paper

• Use lightly dampened paper for better ink absorption.

• Adjust ink consistency to prevent smudging.

• Apply consistent pressure when using a baren or printing press.

Printing on Wood

Printing on wood creates unique textures and depth, adding a natural aesthetic to your work. Wood’s porous surface absorbs ink differently than paper, requiring modifications in inking and pressure techniques.

3. Choosing the Right Wood

• Birch Plywood: Smooth and affordable, great for fine details.

• Basswood Panels: Soft and absorbent, perfect for bold prints.

• Reclaimed Wood: Adds a rustic effect but requires sanding and sealing before use.

4. Techniques for Printing on Wood

• Seal the surface with a thin layer of shellac or gesso to control ink absorption.

• Use thicker oil-based inks for better adherence.

• Apply pressure evenly using a printing press or a hand brayer.

Printing on Fabric

Fabric printing allows for wearable and decorative designs, making it a popular choice for textile artists and designers. Printing on fabric requires special inks and techniques to ensure durability and washability.

5. Best Fabrics for Linocut Printing

• Cotton: Absorbs ink well and holds sharp details.

• Linen: Durable and offers a rustic texture.

• Canvas: Great for posters and home décor applications.

6. Techniques for Printing on Fabric

• Use fabric ink or add textile medium to traditional relief inks.

• Heat set the ink with an iron for wash-fast durability.

• Apply firm, even pressure to ensure ink transfers properly.

Printing on Alternative Surfaces

Beyond paper, wood, and fabric, printmakers can explore alternative surfaces like metal, glass, and ceramics for experimental effects.

7. Printing on Glass and Ceramics

• Use specialized ceramic or glass inks.

• Print on a smooth surface and bake in an oven to set the ink.

• Great for decorative tiles, plates, and custom artwork.

8. Printing on Leather

• Requires oil-based ink for better adhesion.

• Test on scrap pieces to determine the right pressure and technique.

• Works well for custom journals, wallets, and accessories.

Choosing the Right Ink for Each Surface

Selecting the right ink type ensures the best results for your chosen surface.

• Water-Based Inks: Quick-drying, easy cleanup, best for paper and fabric.

• Oil-Based Inks: Richer colors, slower drying, ideal for wood and leather.

• Acrylic Inks: Suitable for non-porous surfaces like glass and ceramics.

Tips for Successful Multi-Surface Printing

9. Experiment and Test

Before committing to a large print run, always test your ink and pressure settings on a small sample of your chosen material.

10. Maintain Consistency

• Use a registration system to align multi-layer prints.

• Keep ink layers thin for cleaner impressions.

• Adjust drying times based on surface porosity.

Conclusion

Expanding your printmaking practice beyond paper opens a world of creative possibilities. Whether you’re printing on wood for an organic look, fabric for wearable designs, or alternative surfaces for experimental art, choosing the right ink and technique is crucial. At Gilfalo Art Design, we encourage artists to explore new materials and push the boundaries of linocut printing. Happy printing!

Chris Gill

Gilfalo Art Design