From Sketch to Print: The Step-by-Step Process of Linoleum Block Printing

At Gilfalo Art Design, we specialize in handmade linoleum block prints, creating unique and collectible concert posters for bands, festivals, and art lovers. Inspired by the rich history of printmaking, we take pride in using traditional relief printing techniques to bring bold and dynamic designs to life. This process, which has been embraced by other renowned printmaking studios as well.

In this blog, we’ll take you through the complete linoleum block printing process, from initial concept to final print, highlighting why this handcrafted art form remains an essential part of the music and printmaking world.

1. The Art of Linoleum Block Printing

Linoleum block printing, or linocut, is a relief printmaking technique where a design is carved into a linoleum sheet, inked, and pressed onto paper. Each print is pulled by hand, making every piece slightly unique.

This traditional process, used at Gilfalo Art Design, Masthay Studios, and Just A Jar Design, produces bold, high-contrast images that digital printing simply can’t replicate. Whether it’s a concert poster, festival print, or fine art piece, linocut offers a timeless aesthetic that resonates with music fans, collectors, and art lovers.

2. Step 1: From Idea to Sketch

Finding Inspiration

Every great print starts with an idea. At Gilfalo Art Design, we draw inspiration from live music, nature, surrealism, and bold typography. Whether designing for a band like Spafford or a music festival like Centerfest, we start by immersing ourselves in the music and visual identity of the event.

Like Masthay Studios, which is known for its highly detailed gig posters, we focus on imagery that tells a story. Meanwhile, Just A Jar Design blends folk art aesthetics with modern design, creating unique compositions that stand out.

Sketching the Design

Once the concept is in place, we move to hand-drawn or digital sketches. The key elements we consider include:

• Strong contrast – Linocut relies on negative and positive space.

• Bold lines – Since small details can be tricky to carve, we emphasize thick, striking outlines.

• Typography integration – Hidden or creative lettering makes posters more engaging.

At Gilfalo Art Design, we often include psychedelic elements, intricate patterns, and nature-inspired visuals, making each print visually immersive.

3. Step 2: Transferring the Design to Linoleum

Once we finalize the sketch, we transfer it onto a linoleum block using one of these methods:

• Graphite Transfer – Printing the design on paper, placing it face down, and rubbing to transfer the outline.

• Carbon Paper – Tracing the design with carbon paper underneath.

• Direct Drawing – Some artists at Just A Jar Design and Masthay Studios prefer freehand drawing directly on the block for a more fluid, organic composition.

At Gilfalo Art Design, we ensure the design is bold and visible before moving to the carving phase.

4. Step 3: Carving the Linoleum Block

Carving is one of the most meticulous and rewarding steps in the process. We use tools like:

• U-Gouges for clearing large areas.

• V-Gouges for fine lines and sharp details.

• Knives for precise cuts and intricate elements.

Carving Techniques

• Outlining first – We carve around the main shapes to define the structure.

• Working from large to small details – This prevents over-carving crucial areas.

• Controlling pressure – Consistent pressure ensures clean, smooth lines.

Studios like Masthay Studios are known for their highly detailed and expressive carvings, often layering multiple blocks for complex color separations. Similarly, Just A Jar Design incorporates rustic textures and hand-carved typography, adding a handcrafted feel to each print.

At Gilfalo Art Design, we focus on high-contrast, dynamic imagery, often incorporating hidden messages or layered patterns into our carvings.

5. Step 4: Inking the Block

Once the block is carved, we prepare it for printing by applying ink onto the rollers of the press.

Choosing the Right Ink

• Oil-based inks – Richer blacks, longer drying times. Used at Masthay Studios for depth and vibrancy.

• Water-based inks – Faster drying, easier cleanup. Preferred by Just A Jar Design for quick production runs.

At Gilfalo Art Design, we typically use oil-based inks for deep, striking blacks, ensuring that every line and detail pops off the paper.

Inking Techniques

• Rolling ink evenly – We make sure the rollers covers the block without overloading.

• Multiple test prints – Checking ink distribution before the final run.

• Experimenting with color – While many of our posters are monochrome, some feature bold, layered colors.

6. Step 5: Printing the Poster

There are two main ways to transfer the inked design onto paper:

A. Hand Burnishing

Using a baren (hand tool) or wooden spoon to manually press the paper onto the inked block. This technique creates a rich, organic texture, perfect for small-batch, intimate prints.

B. Printing Press

Studios like Masthay Studios and Just A Jar Design often use mechanical presses, ensuring even pressure and crisp lines. At Gilfalo Art Design, we combine both methods, depending on the size and detail of the print.

Paper Selection

• Smooth paper – Sharp, detailed prints.

• Handmade paper – Unique textures and artistic character.

Each print is slightly different, making every piece one-of-a-kind.

7. Step 6: Drying, Numbering, and Signing

Once printed, linocut posters need time to dry—especially when using oil-based inks. This process can take days to weeks, depending on environmental conditions.

Editioning and Authenticity

Every Gilfalo Art Design print is:

• Hand-numbered (e.g., 5/50).

• Signed by the artist.

• Titled and dated.

Limited editions, similar to those from Masthay Studios and Just A Jar Design, increase the value and uniqueness of each print, making them highly collectible.

8. The Lasting Appeal of Linocut Concert Posters

A. Why Linocut Stands Out

Linocut concert posters offer:

• A tangible, handmade feel.

• A connection between music and visual art.

• Aesthetic depth and uniqueness not found in digital prints.

B. Collectibility and Demand

Fans and collectors seek out linocut posters from printmakers like Masthay Studios, Just A Jar Design, and Gilfalo Art Design because they:

• Appreciate the craftsmanship behind each piece.

• Value limited-edition prints as works of art.

• Enjoy supporting independent artists over mass production.

Final Thoughts: The Art of Handmade Concert Posters

At Gilfalo Art Design, we believe that linocut printing is more than just a technique—it’s a way to connect art, music, and history in a tangible, meaningful way. Studios like Masthay Studios and Just A Jar Design share this commitment to traditional printmaking, ensuring that handcrafted concert posters continue to thrive in today’s music scene.

If you’re looking for a one-of-a-kind, handcrafted poster, explore our latest prints or follow us on social media for behind-the-scenes looks at our creative process.

What’s your favorite handmade concert poster? Let us know in the comments!

Chris Gill

Gilfalo Art Design